This proposal is about the visual semiotics in the specific context of graphic design.Graphic design has become one of the most important communication disciplines and its expression discourses have incidence in all the cultural contexts: politics, advertising, education, information, recreational activities and even environment and special spaces. That is the main reason to reflect in the several meanings that society is receiving from the visual messages and the different kind of interpretations that people is doing constantly. This process is changing the way of understanding the world, the other and phenomena like images and objects. Also the designed objects and its messages make a great impact in different spheres. This has been described as the image phenomenon but it is more complex because, since the semiotic point of view, in the graphic design are combined the morphologic, typographic, chromatic and photographic codes, some of them emerge from established languages and others become languages or meta-languages. Graphic design cannot be studied since syntagmatic concepts, its meaning modalities belong to paradigmatic dynamics; neither can be understood since the communication semiotic, it is a signification semiotic target. This is comprehended from visual grammar ideas to graphic discourses, all of them have been made conditional from the modalities of meaning: conceptual, connotative, social, affective, reflected and thematic meanings. The results of this reflection will create the main basis from the visual communication and its transcendence to semiotics as a frame of reference for the humanities.
|Keywords:||Semiotics, Graphic Design, Meaning|
Professor, Visual Arts Postgraduate Program, National School of Visual Arts, National Autonomous University of Mexico, CUMULUS and Design Research Society, Mexico
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