Posthuman Bodies in Japanese Science Fiction Films: Subject, Gender and Body in Shinya Tsukamoto’s Tetsuo I: Iron Man & Tetsuo II: Body Hammer
An analysis demonstrates the relationship between technology and the body in Japanese science fiction and horror cinema in terms of feminist and psychoanalytic perspectives.
||The Abject, The Body, Cyborg, Gender, Horror, Science Fiction Film, Technology
International Journal of the Humanities, Volume 3, Issue 2, pp.25-32.
Article: Print (Spiral Bound).
Article: Electronic (PDF File; 750.867KB).
Miss Kuo-Wei Lan is a DPhil Student in Film and Media Studies of Sussex University, UK. She obtained the MA degrees in the Department of Foreign languages and Literature from Chung Cheng University, Taiwan (2002) and in the Centre of Cultural Studies of Goldsmiths College, University of London (2004).
There are currently no reviews of this product.
Write a Review